Notes from this weeks narratives lecture focusing on the notion of narrative through projection and projected image, looking at how artists have used and developed the use of film and sound as a part of their practice. This also takes into consideration those who were known as the precursors of film and information regarding expanded cinema.
Projection: A mental image viewed as a reality / the projection of the voice/sound / to extend/project outwards [The project plane]
Through projected works the viewer becomes part of the work [this creates a third wall] reference Paul Sharits
There is this geometrical vs literal throwing where the plane of projection can be altered to shift viewpoint and the immersive factor of film on the viewer and space. Projection enables interaction. There are a series of case studies that surround artists using audience participation within film studying the active vs passive notion of the audience.
What is this relationship between image and space where one takes over an environment [goes beyond the framework of a screen?] what about projecting space within space?
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| Hiroshi Sugimoto |
How do we ensure that film within the gallery context enages the viewer? What are the challenges with cinematic approaches? How do we create/design the strongest engagement between viewer/space/context
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